СС501A
СС502A
CC502A active pickup. Basic version has a higher gain than the CC501A model. The pickup reproduces the full frequency range sound without additional resonances, revealing the full spectrum of overtones and colors that the guitar is capable of. The pickup allows getting a clear and smooth sound when using crunch or distortion. It has excellent dynamics and plays well on heavy rock riffs. It is perfectly readable in the mix. The pickup also allows clear sound to be recorded directly to the line input. The pickup is recommended for use with “humbucker plus humbucker” guitars in bridge position with the CC501A pickup in neck position.
The CC501A active pickup is the basic version for any style of music. It allows getting full sound from the guitar, using a minimum of additional equipment, and recording clear sound directly to the line-in input. The pickup reproduces the full frequency range without unwanted resonances, while revealing the entire gamut of overtones and colors. The guitar takes on a crystal clean and transparent sound, reminiscent of the sound of a good acoustic guitar. The pickup is suitable for installation in either a neck position or in a bridge position. In the bridge position, the pickup is best used on guitars with a single bridge humbucker, or with a bridge humbucker and neck single. On guitars equipped with a “humbucker plus humbucker”, this pickup is recommended to be installed in the neck position with the CC502A pickup in the bridge position.
Bridge position. Distortion effect with pedal MOOER BLADE recorded through the 4х12 cabinet with head amp MARSHALL MA100H and two microphones: Sennheiser MD441 and Nevaton MK 416
Bridge position. Clean sound recorded through the line input of audio interface
Bridge position. Crunch effect with pedal Tech 21 SansAmp Liverpool connected to line input of audio interface.
Bridge position. Crunch effect with pedal Tech 21 SansAmp Liverpool recorded through the combo amp Yerasov GTA-40R and microphone Shure SM-57.
Bridge position. Distortion effect with pedal Tech 21 SansAmp Liverpool recorded through the combo amp Yerasov GTA-40R and microphone Shure SM-57
Bridge position. Distortion effect with pedal Tech 21 SansAmp Liverpool recorded through the combo amp Yerasov GTA-40R and microphone Shure SM-57
Neck position. Crunch effect with pedal Tech 21 SansAmp Liverpool connected to line input of audio interface.
Neck position. Clean sound recorded through the line input of audio interface.
Neck position. Crunch effect with pedal Tech 21 SansAmp Liverpool recorded through the combo amp Yerasov GTA-40R and microphone Shure SM-57.
Neck position. Distortion effect with pedal Tech 21 SansAmp Liverpool recorded through the combo amp Yerasov GTA-40R and microphone Shure SM-57
Neck position. Distortion effect with pedal Tech 21 SansAmp Liverpool recorded through the combo amp Yerasov GTA-40R and microphone Shure SM-57
CC504AS
CC505AS
СC504AS is a universally applicable version of the model CC501A, supplemented with two position switches for the gain and output impedance adjustment. The gain adjustment option allows installing the pickup in both bridge and neck positions, as well as making up a set “bridge plus neck” of two identical CC504AS pickups. Another advantage of the model is the ability to reduce the output impedance to 1 kOhm in order to use the 25 kOhm volume potentiometer without decreasing the signal amplitude from the pickup.
CC505AS is a universally applicable version of the CC502A model with switchable gain and output impedance. The gain adjustment option allows installing the pickup in both bridge and neck positions, as well as making up a “bridge plus neck” set of two identical CC505AS pickups. Another advantage of the model is the ability to reduce the output impedance to 1 kOhm in order to use a 25 kOhm volume potentiometer without decreasing the signal amplitude from the pickup.
CC508AS
CC508AS is a universally applicable pickup model with switchable gain and output impedance. In comparison with the basic versions CC501A and CC502A, the sensor has a higher gain. It is suitable for playing hard riffs with overdrive and gives a rich sound in the low frequency band. Gain adjustment option allows installing the pickup both in the bridge and in a neck position, as well as making up a “bridge plus neck” set of two identical CC508AS pickups. The output impedance can be reduced to 1 kOhm to use the 25 kOhm volume potentiometer without decreasing signal amplitude from the pickup.
Neck position. Clean sound recorded through the line input of audio interface.
Bridge position. Clean sound recorded through the line input of audio interface.
Bridge position. Distortion effect with pedal MOOER BLADE recorded through the 4х12 cabinet with head amp MARSHALL MA100H and two microphones: Sennheiser MD441 and Nevaton MK 416
Neck position. Distortion effect with pedal MOOER BLADE recorded through the 4х12 cabinet with head amp MARSHALL MA100H and two microphones: Sennheiser MD441 and Nevaton MK 416
Neck position. Clean sound recorded through the line input of audio interface.
Neck position. Crunch effect with pedal Tech 21 SansAmp Liverpool connected to line input of audio interface.
СС401P
СС402P
CC401P is a passive pickup in humbucker cover. It gives a clear and transparent sound. The amplitude of the output signal is close to the usual single coil pickup. It sounds perfect on crunch. It does not catch electromagnetic noise under high gain. The pickup is intended to be used on guitars with “humbucker plus humbucker” in the neck position with the CC402P pickup in the bridge position. The set of CC402P + CC401P is recommended
CC402P is a passive pickup in humbucker cover. It has a smooth single-coil sound with a crisp mid-frequency harmonics. It is perfectly readable in the mix. It does not catch electromagnetic noise under high gain. Compared to model CC401P, it has a large output voltage amplitude. The pickup is suitable for bridge position on guitars with “humbucker plus humbucker” or “humbucker plus single”. The set of CC402P + CC401P is recommended.
Bridge position. Clean sound recorded through the 4х12 cabinet with head amp MARSHALL MA100H and two microphones: Sennheiser MD441 and Nevaton MK 416
Neck position. Crunch effect with pedal Tech 21 SansAmp Liverpool recorded through the 4х12 cabinet with head amp MARSHALL MA100H and two microphones: Sennheiser MD441 and Nevaton MK 416
Bridge position. Distortion effect with pedal MOOER BLADE recorded through the 4х12 cabinet with head amp MARSHALL MA100H and two microphones: Sennheiser MD441 and Nevaton MK 416
Bridge position. Clean sound recorded through the 4х12 cabinet with head amp MARSHALL MA100H and two microphones: Sennheiser MD441 and Nevaton MK 416
Bridge position. Crunch effect with pedal Tech 21 SansAmp Liverpool recorded through the 4х12 cabinet with head amp MARSHALL MA100H and two microphones: Sennheiser MD441 and Nevaton MK 416
Bridge position. Distortion effect with pedal MOOER BLADE recorded through the 4х12 cabinet with head amp MARSHALL MA100H and two microphones: Sennheiser MD441 and Nevaton MK 416
About
Active and passive pickups, in which the principle of sound picking from each string is implemented.
Ajo pickups faithfully reproduce the full frequency response of string oscillations, which means they can reflect all the characteristic features and nuances of the instrument's sound.
The widest possible range of reproducible frequencies.
The ability to connect guitar output directly to the line input, without any preamps, to get true sound.
Absence of electromagnetic interference in the form of a 50-60Hz background noise.
Some models have an output level switch for selecting the neck or bridge position and an output impedance selection switch.
Price below $ 100 for any model.
Ajo Crystal Clean is a line of active and passive guitar pickups. The pickup consists of individual coils for each string that gives a true frequency response and reflects all the harmonic string oscillations and nuances of the guitar sound.
The guitar with Ajo pickups produces a transparent clear sound close to the sound of an acoustic guitar and with distortion the sound becomes deep and clear.
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